I looove SUPER sunglasses. Beautiful sunglasses and… boxes. Vive les patterns.
SUPER is proud to introduce the Poissons, a pre-collection release to anticipate the flavor and aesthetic of the “Visiva Series” : a seasonal project characterized by its high visual impact, and fresh unique style.
Architecture hyper-collage by Portland-based photo artist Jim Kazanjian. Stunning.
My technique could be considered “hyper-collage”. I cobble together pieces from photographs found online and feed them into Photoshop. Through a palimpsest-like layering process of adding and subtracting, I eventually merge these various parts together. I am basically manipulating and assembling a disparate array of multiple photographs to produce a single homogenized image. Right now, I am using around 50 photos to create one of my pieces.
Ok… I’m not very up to date with this post, I’ve heard the song this fall… but I hadn’t seen the video. This looks a lot like videos from Lucy McRae and This Is It Collective. I just like this kind of aesthetic. Vibrant pastel colors, weird positions and huge cardboard body parts.
With a landscape evocative of Fritz Lang’s film of the same name, Metropolis II by Chris Burden opened this weekend at the Los Angeles County Museum of Art to a futuristically frenetic effect. The scale model city has over 1,000 model cars channelling about its roller coaster roads at a speed relative to their size of 240mph – the whole effect becoming less about size and more about the busy energy that cities exudes. Burden has produced something like this before but this latest installation is altogether more remarkable with some buildings going through ten prototypes before making the final micro-megalopolis.