By Theron Humprey.
Via Boat People Le Blog.
Via Fashion Gone Rogue.
Via It’s Nice That.
Jessica Stam for Saks Fith Avenue, via Fashion Gone Rogue.
Via because i’m addicted.
Kate Moss for Mango via Fashion Gone Rogue.
Gertrud Hegelund for Part Two via Fashion Gone Rogue.
What a lovely mix. But it’s more “obscure new york fashion week” than “obscure architecture” to me ! By Claire Cottrell.Via Flavorwire.
Prabal Gurung vs Thomas Heatherwick. Image credit: Bryan Boy / Heatherwick Studio, Seed Pavilion.
Prabal Gurung vs DOSE. Image credit: Jamie Beck; DOSE via Dezeen.
Prabal Gurung vs Le Prisme Concert Hall. Image credit: Susie Bubble; Brisac Gonzalez.
Marina Muñoz vs Dancing Living House. Image credit: Face Hunter; Junichi Sampei/ ARCHITECT LABEL Xain via Space Invading.
Susie Bubble aka Style Bubble vs the Conceptual Nightclub in Harajuku, Japan. Image credit: Style Bubble; Tiffany Dahlen and Virginia Melnyk.
Calla vs the Paula Rêgo Museum. Image credit: Style Bubble; Eduardo Souto de Mouravia archhis.
Creatures of the Wind vs the Kölner Dom. Image credit: froufrouu; All things Europe.
Helmut Lang vs Spaceport America. Image credit: Style Bubble; Foster + Partners via Dezeen.
Mara Hoffman vs The Painted Adobe of The Nakani People. Image credit: Love is the law; Do It Yourself, Cupcake.
Ostwald Helgason vs Avondale Heights Library. Image credit: From Me to You; H2o Architects.
Scott Schuman’s Raspberry Knit Cap Post vs Musée du Quai Branly. Image credit: The Sartorialist; Jean Nouvel Atelier.
Jason Wu vs The Panteón Nube. Image credit: From Me to You; Clavel Arquitectos via Dezeen.
Wow. It impresses me every time: Japanese architects are hyper creative and their clients are awesome. They continue to push back their limits to explore new ways of living… Love it !
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Wow. Ça m’impressionne à chaque fois: les architectes japonais sont résolument hyper créatifs et leurs clients sont franchement impressionnants. Ils repoussent toujours plus loin leurs limites pour explorer de nouvelles façons de vivre… Chapeau !
Light and Airy in Mark Magazine #36, p. 156 to 167. Architect : Sou Fujimoto / Engineer : Jun Sato / Text : Cathelijne Nuijsink / Photos : Iwan Baan
The physical form of language is a record of collective memory. In this monotype typeface, the height of the letterforms is determined by how often a letter is used. This typeface maps the rhythmic ebb and flow of English. Each letter sits in a 6 x 6 inch square, allowing for any combination of letters to run seamlessly both vertically and horizontally.
By Synoptic Office.
Via It’s Nice That.
Like pages from a space-age Architectural Digest, Paul Davies’ painted houses hover in a surreal semi-state of suspense and beauty. His modernist houses sit amid an ever-changing backdrop of acid-toned skies and inverted reflections in placid swimming pools. The Australian artist’s work draws from a range of influences (the Bauhaus aesthetic and a childhood obsession with Jeffrey Smart to name two). I’d like to call his style Miami mansion meets David Lynch thriller meets Hockney-esque colour blocking. Either way it’s pretty wonderful.
Via It’s Nice That.